When researching the history of the Leipzig Spinnerei’s cotton production and the role of the women who worked in the mill, I was drawn to experimenting with woven fabrics. I made a series of 18 frottages of kitchen stoves (küchenherd) on wool, cotton and nylon. Each image appears as a 1:1 blueprint or diagram and corresponds to our corporeal expectations. As a collection, they resemble skins, eyes and breasts, and also appear as human bodies. Their rather rigid typology suggests a canon of allowable forms to which our bodies are forced to conform, as well as the labour of the female body – as domestic, ruled and sexual.